The varied meanings of color have led me to the development of a personal vocabulary. The placing of this vocabulary within the space limitations of the rectangular canvas has, in its turn, dictated the line required for individual statement. The use of this color/line relationship is the focus of my progress towards the spiritual implicit in all art. To say that this is a religious exercise seems to me obvious, although such a fact is very seldom discussed today. Faith and hope are the foundations of my work. The mystery of the half light is my inspiration.